I am Joshua Guerci. I make films. These things inspire me.

17th August 2012

Photo reblogged from Lay me down in a field of flame and heather with 6 notes

Amanda and her cousin Amy, Valdese, North Carolina by Mary Ellen MarkNorth Carolina, USA, 1990In 1990, Peter Howe at Life magazine sent me to North Carolina to photograph a special school for children with problems. The school was a very strange place because all of the twenty or so children were in the same classroom and their problems ranged from mild behavior instability to severe schizophrenia.Nine-year-old Amanda was the most interesting child in the class. She was my favorite child. Amanda was very intelligent and very naughty. One day I followed her home on the school bus. When the bus stopped at her house, she dashed ahead of me and ran into a nearby wooded area. I continued to follow her into the woods and eventually found her sitting in an old stuffed chair having a cigarette. She thought that I would reprimand her since I was an adult. But I said nothing.The following Sunday, I spent the day at home with Amanda and her mother. Amanda totally controlled her mother. She constantly gave her orders and proceeded to put on her mother’s nail polish and makeup. Amanda smoked openly in front of her. Her 8-year-old cousin Amy was coming over, and she was very excited. All day long, Amanda and her cousin played like children. Every forty-five minutes or so, Amanda would take a break to have a cigarette. Her mother could say nothing; Amanda was the boss.Just before I left, I looked for Amanda to say good-bye. I found her and Amy in the backyard. They were in a children’s inflatable pool. Amanda was taking her regular cigarette break.

Amanda and her cousin Amy, Valdese, North Carolina by Mary Ellen Mark
North Carolina, USA, 1990

In 1990, Peter Howe at Life magazine sent me to North Carolina to photograph a special school for children with problems. The school was a very strange place because all of the twenty or so children were in the same classroom and their problems ranged from mild behavior instability to severe schizophrenia.

Nine-year-old Amanda was the most interesting child in the class. She was my favorite child. Amanda was very intelligent and very naughty. One day I followed her home on the school bus. When the bus stopped at her house, she dashed ahead of me and ran into a nearby wooded area. I continued to follow her into the woods and eventually found her sitting in an old stuffed chair having a cigarette. She thought that I would reprimand her since I was an adult. But I said nothing.

The following Sunday, I spent the day at home with Amanda and her mother. Amanda totally controlled her mother. She constantly gave her orders and proceeded to put on her mother’s nail polish and makeup. Amanda smoked openly in front of her. Her 8-year-old cousin Amy was coming over, and she was very excited. All day long, Amanda and her cousin played like children. Every forty-five minutes or so, Amanda would take a break to have a cigarette. Her mother could say nothing; Amanda was the boss.

Just before I left, I looked for Amanda to say good-bye. I found her and Amy in the backyard. They were in a children’s inflatable pool. Amanda was taking her regular cigarette break.

Tagged: Mary Ellen Markamanda and her cousin amychildrensmokingphotojournalism

4th April 2012

Photo with 2 notes

http://www.gillesbassignac.com

http://www.gillesbassignac.com

Tagged: gilles bassignaciraqphotojournalismsaddam statue

7th March 2012

Photo reblogged from tsgf.co.uk with 5 notes

tsgf:
Photographer: Joao Silva
An interesting debate on war photography
A few days ago, Duckrabbit posted an argument that War Photographers, especially contemporary ones, tend to write about their own experiences when on assignment.  This lead to VII photographer Christopher Morris to provide a counter statement and a further response from Asim Rafiqui.
Safe to say, the whole affair is rather interesting.  Check it out.
Year after year, decade after decade photographers have documented war. Rarely are they in the news, rarely do they become the story. For a generation now they have provided a glimpse into humankind at it’s worse. They have done so at great personal sacrifice, they have set out to do this work for a multitude of personal reasons.
Christopher Morris

tsgf:

Photographer: Joao Silva

An interesting debate on war photography

A few days ago, Duckrabbit posted an argument that War Photographers, especially contemporary ones, tend to write about their own experiences when on assignment.  This lead to VII photographer Christopher Morris to provide a counter statement and a further response from Asim Rafiqui.

Safe to say, the whole affair is rather interesting.  Check it out.

Year after year, decade after decade photographers have documented war. Rarely are they in the news, rarely do they become the story. For a generation now they have provided a glimpse into humankind at it’s worse. They have done so at great personal sacrifice, they have set out to do this work for a multitude of personal reasons.

Christopher Morris

Tagged: Christopher Morriswarphotographsoldierduckrabbitphotojournalism